Dawn of the Dead can be summarised in two words: Consumerism and Materialism. It can also be placed amongst the small group of sequels that are better than their predecessors which was quite a feat even back in 1979.
It's also a strange sequel as the only things that carry over from Night... is the premise. None of the characters from Night... or anyone related to them make so much as a references in Dawn... which not only means you can watch Dawn without worrying about dangling plot threads, but it also means that like Night..., no one is fully safe and anyone can die at any given time.
Set an undisclosed amount of time after the initial outbreak, the world is slowly going to hell, martial law has entered several American cities and the dead are still rising. Two SWAT members and a couple decide to flee the cities and end up hauled up in a mall.
From the offset, Dawn... is a much better film than its predecessor. All the dread and tension of the first is still there, but there's a much greater sense of urgency and the action is a lot more fast paced which is much easier on the eyes.
All four main characters are intensely likable this time around which also raises the audiences hope that they'll make it through an ever decreasing situation. Tom Savini (who was drafted to Vietnam and missed out on Night...) is on hand with the special effects which must have been mind blowing at the time. Even now in retrospective, there's a real beauty in his work (even with the bright red blood).
On the whole, Dawn... is not just a great zombie flick, its a great film, easily one of the best in the horror genre. Although again like Night..., it has aged, it has a certain unmistakable charm to it that even after repeated viewings, it doesn't wane or bore, it simply becomes more entertaining which after the initial scares, is something to be cherished in a horror film.
Social Commentary:
Materialism is the obvious one. Our heroes spend the majority of the film in a shopping mall which is full to the brim of items they need and don't need. But once the excitement disappears and they have everything, they become bored and desperately want to leave.
Consumerism is again tied to the shopping mall. Our group constantly race to different stores in order to get the things they need or luxaries. The zombies are stuck outside, sometimes even clawing at the glass desperately trying to enter (although not for the products, but more the people themselves).
Racism is touched upon at the start of the film with the apartment block with one SWAT member gradually going insane and wondering why they get to live in an apartment in the first place.
Sexism is briefly touched upon with Fran finding herself left out of the boys plans to be rid of the zombies and secure the mall. Eventually Fran is trained to fly the helicopter (which becomes crucial in the final moments of the film).
The ethics of death are also prominent. The initial attack on the apartment block is down to people not handing over their deceased loved-ones as Peter puts it "they still believe there's a respect in dying" with a reverend holding several zombies in the basement. When Roger is bitten, he suddenly finds himself in the same position as someone terminally ill and is also treated in the same manner.
There's also the prospect of bombing major cities with nuclear weapons as a means to be rid of the zombies. Dawn... was created during the middle of the Cold War where similar apocalyptic scenarios were a constant threat.
Zombie Evolution:
The zombies appear to congregate at the mall as "it was a special place to them" according to Stephen
There are several segments with people debating on television about the zombies. A Government doctor is keen to point out that the zombies attack only the living and thus their behaviour isn't cannibalism as cannibalism implies an inter species activity.
Whilst in Night..., the government believes the zombies may be the result of a satellite from Venus burning up in the Earth's atmosphere, Peter believes the outbreak might be more akin with a doomsday scenario. He chillingly references a warning his grandfather (a voodoo priest) gave him when he was younger referring to the dead walking.
The zombies show far less intelligence here than in Night... (almost to the point of comedy).
When Stephen returns as a zombie, he remembers where the others were hiding upstairs and possibly, inadvertently, leads a group of them to where Peter and Fran are hiding. Memories will become a massive feature in then next film of the franchise; Day of the Dead.
Sunday, 31 October 2010
Zombiethon '10: Night of the Living Dead
The grandaddy of them all and the only film on this list you can legally watch on Youtube, Night of the Living Dead is the first in Romero's Dead series and sets all prerequisites needed for the franchise including social satire, buckets of blood and gore (or in this case, chocolate syrup and roasted ham) and somewhat slow zombies.
On face level, Night... is a throwback to the fifties Saturday matineé horror movies; you have several damsels in distress, a level headed antagonist surrounded by people who should have died long ago from a severe lack of functioning brain cells and bizarre monsters.
On that same face level however, the film is notoriously gory and horrifying for something from the sixties. Radio broadcasts constantly update the group of characters (and us for that matter) on what exactly is going on beyond the farmhouse with each becoming more horrible than the last (with each update being recreated soon after).
There's a huge amount of tension and dread throughout the film. Our heroes (if you can call them that) are trapped in a somewhat haunted house, the ongoing threat outside is amassing and as time goes by, any chances of escaping deplete by the minute.
It's strange watching Night... now because like many older horror movies, it's difficult to watch due to it's age and the fact its in black and white. With time however, the film's horror has been replaced with a retrospective bleakness which does, in a strange sense, seem fresh and new.
On the whole however, it's an OK film. It does have some cheesy moments and a few bad editing choices but it's worth seeing, just to see where the modern day zombie shambled from.
...and just to show how fantastic of a sequel Dawn of the Dead is, which is thankfully coming up next.
Social commentary:
The Vietnam war for the ongoing broadcasts and updates against the antagonists.
Film historian Robin Wood believed the zombies represented a look at capitalism (with devouring other people being the obvious evolution of that, I guess).
The main protagonist (and easily the best character) Ben is black which was strange for the late sixties (even when you take into account Martin Luther King, Jr. and Malcolm X were prominent during the sixties). He doesn't run into any direct racism but the ending of the film is sadly ironic.
By the end of the film, it shows the army and several rednecks seemingly gaining control of the situation by shooting everything on site. Remember folks, at the end of the world, grab your gun and your best hat!
Zombie Evolution:
Foundations are set folks; the recently deceased are somewhat slow (although the very first zombie gives off a pretty good chase to Barbra), can crudely use tools and eat living people (although one strangely eats maggots).
A bite from one to a living person will turn that person into a zombie. They have apparently no comprehension or memories of their previous lives and will attack anyone, family included.
Only severe trauma to the brain can stop a zombie or completely incapacitating it (in this case, lots of fire).
On face level, Night... is a throwback to the fifties Saturday matineé horror movies; you have several damsels in distress, a level headed antagonist surrounded by people who should have died long ago from a severe lack of functioning brain cells and bizarre monsters.
On that same face level however, the film is notoriously gory and horrifying for something from the sixties. Radio broadcasts constantly update the group of characters (and us for that matter) on what exactly is going on beyond the farmhouse with each becoming more horrible than the last (with each update being recreated soon after).
There's a huge amount of tension and dread throughout the film. Our heroes (if you can call them that) are trapped in a somewhat haunted house, the ongoing threat outside is amassing and as time goes by, any chances of escaping deplete by the minute.
It's strange watching Night... now because like many older horror movies, it's difficult to watch due to it's age and the fact its in black and white. With time however, the film's horror has been replaced with a retrospective bleakness which does, in a strange sense, seem fresh and new.
On the whole however, it's an OK film. It does have some cheesy moments and a few bad editing choices but it's worth seeing, just to see where the modern day zombie shambled from.
...and just to show how fantastic of a sequel Dawn of the Dead is, which is thankfully coming up next.
Social commentary:
The Vietnam war for the ongoing broadcasts and updates against the antagonists.
Film historian Robin Wood believed the zombies represented a look at capitalism (with devouring other people being the obvious evolution of that, I guess).
The main protagonist (and easily the best character) Ben is black which was strange for the late sixties (even when you take into account Martin Luther King, Jr. and Malcolm X were prominent during the sixties). He doesn't run into any direct racism but the ending of the film is sadly ironic.
By the end of the film, it shows the army and several rednecks seemingly gaining control of the situation by shooting everything on site. Remember folks, at the end of the world, grab your gun and your best hat!
Zombie Evolution:
Foundations are set folks; the recently deceased are somewhat slow (although the very first zombie gives off a pretty good chase to Barbra), can crudely use tools and eat living people (although one strangely eats maggots).
A bite from one to a living person will turn that person into a zombie. They have apparently no comprehension or memories of their previous lives and will attack anyone, family included.
Only severe trauma to the brain can stop a zombie or completely incapacitating it (in this case, lots of fire).
Thursday, 28 October 2010
Zombiethon '10
In a break from discussing Nintendo games and Doctor Who, Halloween is almost upon us and this year, your dynamic duo at Retcon-Nation have taken it upon ourselves to scare/laugh ourselves stupid with a monstrous undertaking.
This year, we'll be watching all six of George A. Romero's Dead films, it's spoof Shaun of the Dead and British collumist Charlie Brooker's take on the zombie mythos Dead Set.
Seven films, one mini series, a thousand corpses and more social commentary than Wikipedia, join us all over the weekend for sporadic updates, reviews, thoughts and more in Retcon-Nation's Zombiethon!
This year, we'll be watching all six of George A. Romero's Dead films, it's spoof Shaun of the Dead and British collumist Charlie Brooker's take on the zombie mythos Dead Set.
Seven films, one mini series, a thousand corpses and more social commentary than Wikipedia, join us all over the weekend for sporadic updates, reviews, thoughts and more in Retcon-Nation's Zombiethon!
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