Sunday, 31 October 2010

Zombiethon '10: Night of the Living Dead

The grandaddy of them all and the only film on this list you can legally watch on Youtube, Night of the Living Dead is the first in Romero's Dead series and sets all prerequisites needed for the franchise including social satire, buckets of blood and gore (or in this case, chocolate syrup and roasted ham) and somewhat slow zombies.

On face level, Night... is a throwback to the fifties Saturday matineƩ horror movies; you have several damsels in distress, a level headed antagonist surrounded by people who should have died long ago from a severe lack of functioning brain cells and bizarre monsters.

On that same face level however, the film is notoriously gory and horrifying for something from the sixties. Radio broadcasts constantly update the group of characters (and us for that matter) on what exactly is going on beyond the farmhouse with each becoming more horrible than the last (with each update being recreated soon after).

There's a huge amount of tension and dread throughout the film. Our heroes (if you can call them that) are trapped in a somewhat haunted house, the ongoing threat outside is amassing and as time goes by, any chances of escaping deplete by the minute.

It's strange watching Night... now because like many older horror movies, it's difficult to watch due to it's age and the fact its in black and white. With time however, the film's horror has been replaced with a retrospective bleakness which does, in a strange sense, seem fresh and new.

On the whole however, it's an OK film. It does have some cheesy moments and a few bad editing choices but it's worth seeing, just to see where the modern day zombie shambled from.

...and just to show how fantastic of a sequel Dawn of the Dead is, which is thankfully coming up next.

Social commentary:

The Vietnam war for the ongoing broadcasts and updates against the antagonists.

Film historian Robin Wood believed the zombies represented a look at capitalism (with devouring other people being the obvious evolution of that, I guess).

The main protagonist (and easily the best character) Ben is black which was strange for the late sixties (even when you take into account Martin Luther King, Jr. and Malcolm X were prominent during the sixties). He doesn't run into any direct racism but the ending of the film is sadly ironic.

By the end of the film, it shows the army and several rednecks seemingly gaining control of the situation by shooting everything on site. Remember folks, at the end of the world, grab your gun and your best hat!

Zombie Evolution:

Foundations are set folks; the recently deceased are somewhat slow (although the very first zombie gives off a pretty good chase to Barbra), can crudely use tools and eat living people (although one strangely eats maggots).

A bite from one to a living person will turn that person into a zombie. They have apparently no comprehension or memories of their previous lives and will attack anyone, family included.

Only severe trauma to the brain can stop a zombie or completely incapacitating it (in this case, lots of fire).

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